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Selected work

Creative production / Content / Brand application

Creative work designed to support a wider communication objective.

Design is one part of my broader digital role. I often move from communication objective to copy, layout, asset production and channel delivery, particularly in environments where one person may support several parts of the process.

This page is deliberately curated. Its purpose is not to show every asset I have produced, but to show how creative execution supports campaigns, events, digital communication and business development.

My approach

01

Start with the message

Before creating an asset, I identify what needs to be communicated, who needs to understand it and where it will be seen.

02

Keep the brand recognisable

Colours, typography, imagery and hierarchy should make the brand identifiable without forcing every piece to use the same composition.

03

Adapt to the channel

A social post, email banner, publication page, roll-up banner and exhibition booth all have different viewing conditions. The idea should remain consistent while the execution responds to the format.

One campaign, shown in context.

PlaceholderOpening campaign feature, 16:9. Campaign to be chosen and approved by Husseyne.

Mock-up note: the copy for this feature should cover the brand and campaign, the intended audience, the communication objective, Husseyne's exact role, the selected channels and the outcome or evidence available.

Social media content

My social content work includes corporate communication, partner marketing, campaign promotion, service visibility, events, recruitment and educational content.

PlaceholderSocial example 1, 1:1. To be supplied.

PlaceholderSocial example 2, 1:1. To be supplied.

PlaceholderSocial example 3, 1:1. To be supplied.

PlaceholderSocial example 4, 1:1. To be supplied.

Mock-up note: three or four examples with genuinely different objectives. Each caption needs the brand or campaign, objective, Husseyne's role, channel and why it matters.

Brochures and leaflets

PlaceholderBrochure or leaflet example 1, 4:3. To be supplied.

PlaceholderBrochure or leaflet example 2, 4:3. To be supplied.

Mock-up note: choose examples that supported a clear commercial or informational requirement (a service explanation, event handout, corporate introduction or campaign) and show clear organisation of detailed information, brand consistency across print, support for business-development conversations and a link to wider digital communication.

Magazine and publication work

Publication work requires a different balance from social media. The communication is often more formal, the available space is fixed and the design needs to function within an external publication.

PlaceholderPublication example 1, 4:5. To be supplied.

PlaceholderPublication example 2, 4:5. To be supplied.

Mock-up note: each example should identify the publication or edition, the communication objective, Husseyne's role and any supporting channel such as the website, LinkedIn or email.

Exhibition and event collateral

Event work shows how a visual identity is applied beyond the screen.

PlaceholderEvent collateral example 1. Booth graphic, roll-up banner, counter or poster to be supplied.

PlaceholderEvent collateral example 2. Booth graphic, roll-up banner, counter or poster to be supplied.

PlaceholderEvent collateral example 3. Booth graphic, roll-up banner, counter or poster to be supplied.

Email and digital banners

PlaceholderEmail or digital banner shown with the announcement, campaign, service, event or landing page it supported, 16:9. To be supplied.

Mock-up note: show the banner in the context in which it was used rather than as artwork in isolation.

Show how one message changes across several touchpoints.

This will demonstrate how I maintain one communication direction while adapting the work to different channels and viewing conditions.

PlaceholderSocial application. To be supplied.

PlaceholderEmail application. To be supplied.

PlaceholderWebsite application. To be supplied.

PlaceholderPhysical collateral application. To be supplied.

What this work demonstrates

  • Hands-on creative execution within a broader marketing role
  • The ability to move between copy, design and channel requirements
  • Visual adaptation across different brands
  • Experience across digital, print, publication and event formats
  • An understanding that design should make communication clearer

Credits and attribution

To be confirmed: a maximum of 8 to 12 approved pieces across the page. For each: brand, approximate date, objective, exact role, channel, outcome where available and any required collaborator credit, with high-resolution artwork or contextual photographs.

Design is most useful when it helps the message do its job.